Traditional Scenic Art for Theatre
SCENIC ART​
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2025
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Tokyo, Japan- Really Useful Group, Love Never Dies
2019-2024
Head of Scenic Art at Opera Australia
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​Shanghai, China- Really Useful Group, Love Never Dies
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Sydney, Australia- Really Useful Group, Phantom of the Opera, World Tour
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Melbourne Theatre Company—Bernhardt/Hamlet
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Pinchgut Opera
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Belvoir Theatre
2017-2019
Head of Scenic Art at The Sydney Theatre Company
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2007-2016
Since 2007 I have divided my time between design projects and scenic art, continuing to freelance for the following companies:
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2015-2017 The Australian Ballet—
(at Scenografic Studio)
Alice in Wonderland
The Sleeping Beauty
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2017 Ensemble Theatre—
The Rasputin Affair
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2016 Sydney Theatre Company—
Speed the Plow
A Flea In Her Ear
Hamlet , Prince Of Skidmark
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2016 Belvoir—
The Great Fire
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Opera Australia
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Bangara
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Australian Museum
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Taronga Zoo
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Sydney Aquarium
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Private Commissions and shop fitouts
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LONDONS WEST END:
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2004-2007
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Saturday Night Fever—Drury Lane paint frames
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Full Circle— Drury Lane paint frames
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Aladin—Drury Lane paint frames
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Joseph & his Amazing Technicolor Dreamcoat—New London Theatre
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Zing Went the Strings—Doily Cart, for the QM2, Scenic effects on costumes & sewing
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Cinderella—Scenic effects on costumes & sewing, The Grange Opera
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Peter Pan—Scenic effects on costumes & sewing, Savoy Theatre, London
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Refurbishments of various repertoire productions, West End, London.
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Paint finishing & touch-ups for Kenwright Ltd.
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DUBLIN, IRELAND:
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2003-06
Bewleys Theatre & The Oscar Wild Society:
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The Remarkable Rocket
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The Happy Prince
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The Nightingale & the Rose
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The Lilly Lally Show
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Crabbed Youth & Age
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SYDNEY/BRISBANE:
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1999-2003
OPERA AUSTRALIA. Full time Scenic Artist, under head painter Alan Stewart on the following operas:
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Rinaldo
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La Boheme
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Don Carlos
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Wozzeck
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The Gypsy Princess
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The Pearl Fishers
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Capriccio
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Simon Boccanegra
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Elixir of Love
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Cavalleria Rusticana and Pagliacci
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Lady Macbeth of Mtsensk
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Der Freischutz
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Plus Refurbishment of 30 repertoire productions between 1999-2002.
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2001
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Blue Heart Stables Theatre—designed by Ralph Myers
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Shop interior Argyle Oracle. The Rocks, Sydney—designed by Bill Maron
2000
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1000 Years of the Olympic Games. Powerhouse Museum, Sydney—designed by Stephen Curtis
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1998
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N.R.L Football Banners. Neon Graffiti
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Segaworld, Darling Harbor, Sydney.
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Scenic effects—large shopping centre display. (FX Staging).
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Death Of A Salesman, Designed by Judith Hoddinott Ensemble Theatre
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Gossamer, Ensemble Theatre
1997
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A Winters Tale—Designed by Justin Kurzel. Scenografic Studio.
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Rosencrantz and Guildenstern—Scenografic Studio.
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Honour—Designed by Michael Scott Mitchell. Pier Productions.
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Puppy Love—Designed by Paula Martin S.T.C.
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Football Banners. Neon Graffiti.
1996
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Tru—Marion St. Theatre. Design Graham Maclean
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Intencity—Westfields, Canberra (Stageman)
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Theatrical, scenic finishes of house interiors (on commission)
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Christmas Around The World—Display for Robina Town Centre. Gold Coast. (Themeworx).
1995
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Educating Rita—Q Theatre. Sydney, Design—Judith Hoddinott
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Animaniacs—Shopping Centre display (FX staging)
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Intencity—Westfields Shopping Centre, Parramatta and Tuggerah (Stageman)
1994
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Reg Livermore’s Red Riding Hood, The Speed Hump and the Wolf—Ensemble and Clarendon Theatres. Design- Martin/Simcox
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Hermes Ball backdrop—Sydney Showground (Design- Martin/Simcox)
1993
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Westfield Christmas displays: The Wizard of Oz, Santa’s Workshop Village and Carnival Castle. Design—Encore Production
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Odyssey—Jupiters Casino. Design—William Passmore
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Reg Livermore’s Mother Goose—Ensemble and Clarendon Theatres. Design—Martin/Simcox
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